An opportunity to witness an intimate, intoxicating, though prolonged cinematic exploration into the late, multi-faceted David Bowie is swirling impressionism more than conventional non-fiction cinema. From the notable writing, directing and editing of Brett Morgen you get a distinguished artist’s mind that often mesmerizes through a varied catalog of a pensive, philosophical chameleonic figure enhanced more often in a metaphysical chameleonic figure enhanced more often in a metaphysical way. As an endless creativity blossomed through different mediums in a cosmic fantasia using old footage and taking heads to burrow into a unique restlessness that’s n ideal fit for large-screen venues.