In Fast X the script, the characters and the large group seasoned performers don’t matter, the purpose of the film. All that matters are the spectacular action scenes that dominate the production.
With 150 credits for stunts and 275 credits for visual effects which at times are way over-the-top, but after a time loose their influence by competing with each other. The film opens with a spectacular scene which reminds us of 007 film openings, and it gives us a delightful villain (Jason Momoa) who would also fit nicely as a challenge to James Bond. Early on a thread of revenge is established as the motivation for all the dangerous action taken by the characters, and the main excuse for more action scenes.
Being impressed with this film requires a loyalty to the spectacular destruction of parts of Europe, carnage scenes and wild racing and driving, and we see an abundance of each in Fast X.
In the shadow of the spectacle it is easy to miss the quality of Jason Momoa’s evil and at times comical villain and the smooth presence of Leo Abel Perry as the one child featured on the story.
To enjoy Fast X leave thinking behind and watch the exhibition exploding on the screen.